What is the difference between dupioni peau de soie

It is made from raw fibers, which results in a bit of a grain in the fabric that looks like tiny textural horizontal lines. It also feels a bit rough to the touch because of the raw fibers, but it holds vibrant colors very well. Dupioni has a strong sheen, which can really make a color pop. In my opinion this fabric tends to look better in photographs than it does in real life.

It is versatile enough to work for day or night weddings, but does tend to look more formal. Dresses: Watters and Alfred Sung. Taffeta is very similar to dupioni in weight and structure.

The fabric is crisp and a bit weighty and holds its shape very well. However, the major difference between these two finishes is in the appearance and feel of the fabric. While dupioni appears textured, taffeta is very smooth and more tightly woven. In dim or natural lighting, the material can appear almost matte, but in bright or studio lighting like your photographer may use the fabric can come off quite shiny. Like dupioni and taffeta, faille holds its shape well, making it good for dresses with a bit of volume or with structural pleats.

It has a much subtler sheen than both dupioni and taffeta, but still has texture—in this case, a subtle ribbed quality. It is versatile enough to work for day or night weddings, and its subtle sheen makes it almost seasonless. Crew and Weddington Way. I think of shantung as kind of a midway between dupioni and taffeta.

It has the same crisp, structured feeling and heft as both fabrics. It is not as finely woven as taffeta, but has less texture than dupioni. Dresses: Wtoo and Jenny Yoo. A stretchy fabric with an easy drape, jersey is most often seen in casual clothing like T-shirts, but can occasionally be seen in bridesmaid dresses.

It has a matte finish, but a very soft feel and a lot of bounce and swing. Best for casual weddings and perfect for the outdoors. Dresses: Two Birds and J.

Curious about fabrications not listed here? Which would you recommend and which do you never ever want to wear again? Featured image via: Style Me Pretty. Dress retailers listed in image names. Chiffon Chiffon is very lightweight and flowing, meaning that it does not cling to the body and is very good for styles with a lot of draping, like dresses with empire waists.

Crew Georgette Georgette is quite similar to chiffon in drape and feel. It is relatively heavy and is a good base for heavily embellished gowns since it can support embroidery or beadwork without tearing or sagging. Here are a few gowns made of satin:. Some designers will refer to satin with different qualifiers such as duchess or matte.

These adjectives typically do not refer to the fiber content but more to the finish of the fabric. A duchess satin might be particularly smooth and sumptuous, while a matte satin would have a less shiny appearance. Next up is taffeta, another classic bridal fabrication. Taffeta is usually very lightweight, making it an excellent choice for outdoor weddings or brides who tend to overheat easily. A popular variation these days is referred to as tissue taffeta, meaning that the fabric is thin and light — this tends to work very well in gowns with lots of ruching, since a thicker fabric might be bulky.

Taffeta often makes a rustling sound when you move — a characteristic that many people love, but some find annoying. A close relative of taffeta is peau de soie pronounced poe-deh-swah. If you love a more sheer fabric, then organza or chiffon might be for you. Organza is currently very popular in textured skirts such as the ones used in the newest Lazaro and Vera Wang collections.

Raw edged strips can be made to resemble feathers, or swirling rows of fabric create volume and dramatic texture.

Since organza can vary greatly in its weight and opacity, some gowns even use different grades of organza that add great depth. In addition to the depth and texture created when organza is used, it is typically a very lightweight fabric.

The gowns shown above would be much heavier if the same amount of a different fabric such as satin were used to create the volume in the skirts. Of course, organza can be used to beautiful effect in clean, untextured sheets, like the gowns shown below.

The finest peau de soie dresses are beautiful and smooth on both sides while some are only finished on one side. Silk peau de soie bridesmaid dresses have less sheen and more texture than a delustered satin, which is a good way to distinguish between the two. Similar to peau de soie, dupioni silk also has a bit of texture, however it is more pronounced due to desired entanglements in the silkworm threads.

The peau de soie from all Alfred Sung bridesmaid dresses make beautiful use of their architectural quality, using structured pleating and clean lines to create vintage inspired elegance reminiscent of the early nineteen sixties.

The Alfred Sung D bridesmaid dress features box pleats and a high halter neckline with a crisp rectangular bow, while the Madmen Era D is a sleek A-line, topped with a bateau neck, its inset waistline creating an hourglass silhouette you could easily envision on Joan Harris. Peau de soie fabric ruffles stand erect against the neck creating a voluminous high collar on the sleeveless Alfred Sung D and D bridesmaid dresses, and a peplum waist never looked so sleek, as in the D and D, with their perfectly fitted bodices and tailored skirts.

Being less substantial than satin, peau de soie is lightweight and breathable in hot weather.